This piece was part of ’Supastore’ created by Sarah Staton, a parody of department stores and playing with the idea of art. The ‘Supastore’ project branched from the nineties revival of artists’ multiples where print publishing was and could still be branded as the original multiple which is said to increase an artists work relatively cheaply. ‘Supastore’ turned into a production company which started of as a project of a print portfolio called ‘10 Supastore Supastars’, which explores the impact of modernism. Supastore also consisted of several other print artists - Anya Gallaccio, Ellen Cantor, Georgie Hopton, Simon Periton, Tim Noble and Sue Webster, and Tomato, a group of video makers. One of her other recent projects for Supastore, merged into a peripatetic shop selling works by up-and-coming contemporary, unknown and established artists including Sol Le Witt, Mile Kelley and Steve Willats. Most art work included in ‘Supastore was supposedly an experiment in populism and described as tourist trap souvenir stores’ trinket look-a-likes.
Friday, 7 October 2011
This piece was part of ’Supastore’ created by Sarah Staton, a parody of department stores and playing with the idea of art. The ‘Supastore’ project branched from the nineties revival of artists’ multiples where print publishing was and could still be branded as the original multiple which is said to increase an artists work relatively cheaply. ‘Supastore’ turned into a production company which started of as a project of a print portfolio called ‘10 Supastore Supastars’, which explores the impact of modernism. Supastore also consisted of several other print artists - Anya Gallaccio, Ellen Cantor, Georgie Hopton, Simon Periton, Tim Noble and Sue Webster, and Tomato, a group of video makers. One of her other recent projects for Supastore, merged into a peripatetic shop selling works by up-and-coming contemporary, unknown and established artists including Sol Le Witt, Mile Kelley and Steve Willats. Most art work included in ‘Supastore was supposedly an experiment in populism and described as tourist trap souvenir stores’ trinket look-a-likes.
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